"Eh?" Tetsuo Nishino was surprised.

Is Teacher Toyama ready to change my blow posture?

But I used it very well.

Why change it?

Besides, summer is coming soon, is it still too late to change now?

Tetsuo Nishino's doubts were written directly on his face.

Toyama Yukie didn't keep it a secret anymore. He said straight to the point: "I want you to change your playing style."

"I've seen all the matches you played before, and I found that your long plays are becoming more and more concentrated on the left half."

“Take a lot.”

"It's not that it's not that the pulling and hitting is not good, it's just that with your talent, you can do more."

"Switch to wide-angle full-swinging style."

After seeing most of the squats in Nishino last year, Toyama Yuki discovered a trend, that is, Nishino Tetsu is increasingly using squats.

Because Tetsu Nishino is the right hitter, most of the long hits he hits will fall into the left field of the court.

This obvious trend has both pros and cons.

The pull-and-hit posture is the most effective way for the hitter to exert its strength, but the relatively low hit rate of pull-and-hit makes players choose carefully.

Most of the players who are used to pull and play are power players.

Because of the performance of often swinging the ball on the court, but being able to hit the ball very far after hitting it solidly, such players often leave the audience with the impression of "blind gun".

Last year, the proportion of Nishino Tetsuya's pulling postures gradually increased, and the changes in the same period also included his long-distance output and gradually declining beat rate.

8 bang, 8 cut, 8 thieves.

Tetsuo Nishino, who was in the best condition in the past, was unable to achieve such an incredible result at a single conference.

You cannot have both fish and bear's paw.

Even if you are a talented person like Takashi Nishino, you can't fully achieve both the play rate and the long-term play.

Another problem is that Takashi Nishino's posture has not been completely changed, and he still uses a combination of push and pull to maintain the playing rate.

Perhaps because the four bats are responsible for the team's scoring task, his swing is sometimes too worried and does not completely let go.

It seemed that something was restraining him.

In Toyama Yukiki's view, this invisible barrier restricts Takashi Nishino's growth.

“I hope you can hit a shocking shot.”

"Teacher Toyama, what should I do?" asked Tetsu Nishino.

"You look."

Toyama Yuki took the bat and demonstrated it in slow motion.

Prepare to hold the stick, lead the stick back, step forward, and do the body rotation

First the hips, then the torso, then the upper arm, and finally the palms.

The entire action trajectory is very large and the force is sufficient.

Just looking at slow motion, you can imagine what kind of violent scene would be if you bite the ball into the center.

Of course, the disadvantages are also very obvious. The orbit of the rod movement and the ball's flight line have only one intersection point. If you fail to hit the ball, you will be swinging a big empty stick.

Toyama Yukii said: "The order in which your parts reach their peak speed must be correct, and use all your explosive power."

Tetsu Nishino held the bat and tried to swing it a few times.

The new posture feels different, but I can't say it for a while.

Tetsu Nishino hesitated.

Although this kind of full-swinging and blowing style looks exciting, it is not a temporary skill to practice well. You can't grasp the trick in less than a year or two.

And after listening to Toyama Yoshiki's explanation, I will just give you a brief demonstration now, and there are more details and requirements later.

It can be seen that the difficulty of the full swing posture is not suitable for most people.

Toyama Yoshiki is not embarrassed by Nishino Tetsuya.

This style of playing was made by Takashi Nishino's swing after watching so many days, and then figured it out bit by bit, just tailor-made for Takashi Nishino.
Chapter completed!