"Brother Zhongfu, let's kill the last game?"

"Stop it, please."

Wu Yonglin followed Liu Zhongfu, Huang Chenke came to a quaint study room, and saw a yellow flower wooden desk with four treasures on it: lake pen, Hui ink, rice paper, Duan ink, and a 'shan' shape for the Qingwan pen, and a few scrolls were stacked on the left. When Huang Chenke entered the door, he turned his eyes to Wu Yonglin. Not only Liu Zhongfu in front of him, but also Ye Zhiqiu following behind him, all looked at Wu Yonglin. Wu Yonglin felt that when he was in the inner room, he looked around and looked around.

I was a little bit unlucky. I just glanced at the Huanghuali Book Case full of four treasures in the study, and then took my eyes back. I was thinking about how to find an excuse to leave this place of right and wrong. After all, the longer I stayed, the easier it was to show up. It was not easy to get a game back, leaving a good impression on everyone. Then when did I not leave at this time? I just thought of an excuse and found that the three people around me were looking at their faces at the same time. Wu Yonglin, who was not sure about the situation, raised his right hand and wiped his face. He asked tentatively: "Teacher, my face..."

"You are not interested in Go in normal times, and I don't force you to accompany us anymore. There are a few paintings I have found on the table of books. You will bring me a poem each. I will not stop you wherever you think of next."

Wu Yonglin was about to find an excuse to pass by, but Huang Chenke interrupted again: "After drinking your kung fu tea, I immediately felt that my whole body was much more refreshed. Just treat it as a human beauty. This is not a difficult task for you. Don't worry, I just enjoy these calligraphy and paintings alone in my spare time, and I will never use it for a stinky thing."

"Teacher, just..."

"This matter is decided."

In the gap between Wu Yonglin's mouth, Huang Chenke had already pulled Liu Zhongfu to a chess pier beside the bed, took the two boxes of black and white pieces handed over by Ye Zhiqiu who was following him, and sat on the two round short-legged slaps that had been prepared long ago, and started fighting. Ye Zhiqiu, who was beside him, stared at the chessboard tightly. At this moment, he seemed to have changed his eyebrows and meditated, with an empty look, as if he had a different master. The cunning and treacherous on the chessboard seemed to have been seen through by him. At this moment, he was like a general sitting alone in the central army tent, waiting for the battlefield ahead to hear good news.

Wu Yonglin was staring at a pink and white wall full of calligraphy and paintings. First, what caught his eye was a huge four-length "Han Xizai Night Banquet" by Gu Hongzhong of the Five Dynasties. On the painting, Han Xizai drank, beat drums, play music, and danced. The guests' eyes were concentrated on Han's drum-beating hands, concentrated on the dancers, and even after the banquet was over, Han's slightly tired appearance not only painted shapes but also vivid sounds. Then there were Gu Kaizhi's "The Announcement of the Women's Historian", "The Picture of the List of Women" and "The Goddess of the Luo River". The three portraits had magnificent structure, with soft lines as thin silk, hard as iron wire, and the characters' expressions were as beautiful as life. Next to the three portraits was the "Outlook of Spring" by Zhan Ziqian of Sui, which was

A landscape painting has a new and colorful color, beautiful and cute mountains and rivers, small figures as small as bean dots, but the dynamics can be pointed at each one, but the ever-changing scenery of nature captured is always new. These paintings include precious ink treasures left by the four masters of the dynasty, including Su Dongpo, Huang Tingjian, Mi Fu, Cai Xiang, etc. Wu Yonglin knew that these were all fakes at a glance. The paintings were actually not worth a lot of money. What was valuable was the calligraphy of the four masters who added the different styles and squareness of the four masters. The last one was the running script of Wang Xizhi of the Eastern Jin Dynasty, "In the ninth year of Yonghe, the year was in Guichou, and at the beginning of late spring, he met at Lanting in Shanyin, Kuaiji to practice the work. All the wise men arrived,

There are high mountains and ridges, lush forests and bamboos, and clear streams, reflecting the left and right, leading them to the flowing cups and curved waters, and sitting next to them. Although there is no prosperous silk and bamboo orchestra, a cup and a song are enough to express the quiet feelings. On this day, the sky is clear and the wind is smooth. Looking up at the universe and looking down at the prosperity of the categories, the sights and eyes are enough to enjoy the entertainment of the eyes and the sounds of the Coke. The wife is in love with each other for a lifetime. Some take it into her arms and understand the words in a room; some are entrusted by her, and she is unrestrained and unrestrained. Although she is interested in what she encounters, she is temporarily at home, and she is happy and self-sufficient, and does not know that the old age is coming; and since she is tired, her feelings are moved with the things, she is connected to her. She is in the place where she wants to be.

The joy and the ups and downs are already revealed, and we still have to be happy with it, and the cultivation is short and the transformation is over, and the end is over! The ancients said: "Life and death are great." Isn't it painful? Every time I read the reasons for the feelings of the past, if they are united, they always sigh and mourn, but they cannot describe it. I know that life and death are absurd, and Qi Pengshang is a false thought. Later, they look at the present, as they look at the past, and they are sad! Therefore, they list the descriptions of the people of the times and record their statements. Although the world is different, they are happy and the result is the same. Those who read later will also be inspired by this literary style." The overall brushwork is winding and sloppy, and it is natural, but the last seal is Wu Bo, who has already traveled to the immortals. Wu Yonglin then understood why Huang Chen tried every means to retain himself.

Wu Yonglin was thinking about countermeasures in his mind. He has been writing all these days, but Wu Bo has been working hard for at least ten years. If he left a pair of words on the desk, the authenticity will be obvious at a glance. Wu Yonglin was really panicked this time. Unexpectedly, the thing that Zhuge Wolong was most worried about suddenly came, leaving Wu Yonglin unprepared and unresisting.

"Sir, I'll help you grind the ink."

Huang Miaohao had sneaked into the study at some point. At this moment, Wu Yonglin, who was anxious and sweating, didn't notice it at all. Looking at Huang Miaohao who was causing trouble, Wu Yonglin glared at her fiercely. Huang Miaohao felt suddenly pricked by a needle, and his face was burning. Dan Tai Yuping at the door saw this scene and laughed secretly. She was only happy for three moments. Wu Yonglin didn't know what was stimulating. When he looked at Huang Miaohao just now, he seemed to be two people, with a flattering look on his face, ambiguous manner, and frivolously stepped on his eight-character steps and leaned towards Huang Miaohao lazily.

"How dare Ms. Wu be polished by Ms. Huang himself? Ms. Wu claims that she is not as good as the elegant and elegant Su Dongpo, but Ms. Huang is definitely not inferior to Ms. Qin Cao, who is both talented and beautiful."

When Su Shi was the governor of Hangzhou, he liked to travel around and make friends. Since ancient times, Hangzhou has been prosperous. Whenever the wind is sunny on the edge of the West Lake, there are always singing girls and dancers coming to enjoy flowers and poems. It became a scene at that time. The most famous one was the famous prostitute Qin Cao. This Qin Cao girl was both talented and arrogant. She heard that the governor of the time was a talented man, so she admired him very much. Su Shi also admired the beautiful women with talent very much. He did not look down on them because of his low status as a prostitute. On the contrary, he also admired and took care of them very much, which made Qin Cao very grateful. However, she knew that her status was too different from the dignified magistrate, and she did not want to be Su Shi's concubine, so she had to bury her love for Su Shi in her heart.

Su Dongpo's love story is almost well known in Wei Chao. Although the two ended up not very good, Qin Cao later became a monk and was only twenty-two years old when he died. He was only able to be the best lover of the talented Su Dongpo. Wu Yonglin compared Huang Miaohao with Qin Cao, which was enough to make the other party think a lot. Sure enough, a beautiful pink color appeared on Huang Miaohao's face, and his affectionate eyes were boldly facing Wu Yonglin's eyes and bit silver lightly. The teeth and the mouth were spitting sandalwood, and the graceful figure of dripping water leaned towards Wu Yonglin without realizing it. But at this moment, a disharmonious voice sounded between the two, which suddenly reduced the charming atmosphere between the two. An object that was like a piece of osmanthus cake rolled on the Huanghuali wood desk. Huang Miaohao finally caught the "trick" at the edge of the table, with a painted red word "Zhu" engraved on it.

Huang Miaohao was curious for a moment, and she asked knowingly: "Sir, what is this?"

"This is the Orange Central Opera."

"Sir, what's the solution?"

"As for the Tang Dynasty, there is a "Baqiongren" that says that the Baqiongren has an orange orchard, which includes two very strange things grown from oranges, ranging from three to four buckets. After reading it, there are two old men in each orange, with white hair and white eyebrows and rosy body, and are lying on this sect, so this sect is called the Orange Central Opera."

"Girl, don't listen to his nonsense. This thing is called chess." Liu Zhongfu, who was on the side, took Wu Yonglin's words and pointed it out. However, before he could even feel proud, he was immediately snatched by Huang Chenke, who had just frowned and pondered.

"What the little disciple said is not false, and chess does have the saying of Orange Opera."

Liu Zhongfu immediately blushed and his ears were dry. In fact, he couldn't blame him. As the saying goes, a distance between the two is like a mountain. An old chess saint who has been obsessed with Go all his life, occasionally making some minor mistakes in "The Night Ship" that are not harmful.

"Can you teach me this Orange Central Academy of Drama?"

Wu Yonglin's plan was successful at this moment, and he naturally cheered and couldn't help but leave the square table immediately. He was about to leave the study with Huang Miaohao, but was stopped by a loud voice.

"If you want to teach, just teach here. This nine-foot square platform cannot accommodate your chessboard."

Wu Yonglin was mentally prepared in advance. It was absolutely impossible for this old man to be so easily dismissed. He opened the formation with Huang Miaohao on a round table close to Huang Chenke and others.

"The golden swords and iron horses are arranged between the chessboards. Due to the geography, they can judge the relationship between the enemy and us, and determine the outcome for joint actions: the situation. The situation is the formation. At this point, individual fighters are transformed into the whole, and the points and lines in segments are transformed into a comprehensive, each of which loses its fragrance and color, and enters the furnace together. Once melted and cuts, they all have a chemical novel state and vary their nature. The most heavy chariot can be as light as a feather; the most subtle warriors can be as heavy as Mount Tai; the flying phase can be as heavy as a mountain of Tai; the leisure of a general can determine the overall situation. The points and lines are intertwined, and the distance and near are moved, and the light and heavy choices vary according to the situation. The equipment and equipment of each department are all running under the entire mechanism, and they decide to retreat, advance, attack, and defend. This is the center of the actual chess, and it is necessary to understand the general.

The study of the situation should be divided into three parts: 1. Layout - for the preparation stage of war, focusing on the yin and yang facing backwards. 2. Middle game - for the contact stage of war, focusing on advance, retreat and exchange. 3. Endgame - for the end of war, focusing on dispatching and killing. Yin and yang facing backwards, distinguish strength from weakness than opportunity first; for advance, retreat and exchange, decisive attack and defense in the form; for dispatching and killing and winning determine the victory or defeat at the end. Don’t know the layout, lack of sufficient language strategy; don’t know the middle game, lack of language tactics; don’t know the end game, lack of language combat; don’t know one of the three, and you can’t do it well. Now let’s talk about layout, and the basic methods are as follows:

(I), the head artillery bureau, the screen horse bureau. The method: two cannons are level and five horses are 8 to 7                                                                                                                                                                                                                                              

Advantages: The artillery bureau is the first to gather all the soldiers on the main line, and the central government's breakthrough with the power of thunder. The first move is to take the lead. The screen and horse bureau is equipped with the right one, and the entire situation is between attacking and defending, without any disadvantages. The front line is its fire net, which lures the enemy into the deepest, and is most magnetic, and it is often in a quagmire and unable to extricate itself.

Disadvantages: In the head of the artillery, the enemy loses contact, the soldiers are prone to casualties, the front game is frustrated, and there are few unbeaten players in the end game. In the screen and horse game, the artillery is separated by the horse, and the activities on the main line are somewhat delayed.

(2), Pioneer Horse Bureau, Single Horse Bureau. Strategy: Three soldiers advance and one soldiers advance 3 to 1                                                 

Advantages: In the Pioneer Horse Bureau, jumping first, watching changes by the river, or stagnating to hinder the arrangement of the outpost line, or moving to act as a chariot and cannon. In the single horse bureau, all institutions focus on protecting the troops, and storing their full strength in the front bureau, showing that they cannot win, and the endgame can win.

Disadvantages: Both games are fragile in the main line, so avoid breaking through the center with the lead shot.

(III), Slant Infrared Artillery Bureau, Bond Artillery Bureau. Method: Two cannons are leveling six zodiac signs 3 5                                                                                                                                                                                                                                          �

Advantages: The wing line is used as its main force line, deeply accumulating artillery force, dense fire nets, and a division of force is the most powerful. The hooded artillery is used to statically and brake, with cannons as its defense, with horses as its attack, and with detour lines as its main force line. The use of side attack is unique.

(IV), River Patrol Cannon Bureau, Wanli Horse Bureau. Punishment: Cannon Two-End Two Elephants 7-End Five                                           

Advantages: The River Patrol Cannon Bureau uses blitzkrieg to make arrangements first, consolidate the outposts, and respond to the main force from afar. The Wanderer-Earth Bureau uses the Qiaokou as the stronghold for the horse. Advance can fight and retreat can defend, which has many wonderful uses.

Disadvantages: The River Patrol Bureau lacks the spirit of attacking front, the layout line is weak, and the horse is easily restrained. The Wanderer-Earth Bureau is the most hindered to the arrangement before reaching the stronghold."

After Wu Yonglin finished speaking, Huang Miaohao, who was in his eyes, could not remember it completely. But Ye Zhiqiu, who was beside him, wrote down without missing a word, and suddenly said, "Mr. Wu, there should be a solution to the endgame, right?"

Wu Yonglin gave Ye Zhiqiu a look of praise and continued: "If the battle in the middle game is determined, the battle will end. If the killing is equal, the strength is small, and three or five will wither and divide the battlefield equally, the situation must be deployed separately, and then it will be decided. This is called the endgame, and there are two keys:

(1) You must know the method of killing and harmony. The endgame is the final duel, so killing must be determined to kill, and harmony must be determined. For example, if a bicycle breaks the whole picture, breaks the double phase, horse, breaks the double phase, etc.; if a single shot of a lonely soldier, a lonely elephant, etc., what can be killed and what can be harmonious? There are certain examples. Even if there is an author, no one can be easily. You must analyze the reason and understand the reason. So that the attack and killing of the endgame are in front of the endgame, there is a standard; if the final of the endgame is finally successful, it will not be successful or defeated.

(2) It is necessary to be dispatched. The easy thing to endgame lies in the few children, and the difficulty of endgame lies in the many roads. If there are many roads, the scope of activities of each son will be increased, and the planning will not be easy to be accurate, and the strength and weakness are small, and it will be fleeting. If there is any loss, it will be difficult to recover. Therefore, one line must be used to do more than one line, and one after another, and you must analyze it into the slightest confusion. When you stand up with each other, you should wait for it to be idle and be flawless to attack, so as to disturb it; when attacking, you should not forget what you are defending, and when defending, you should not lose the moment, and do not lose the severity of the moment. All of this is the right way to dispatch it, not just the endgame, but the endgame is particularly important.

According to legend, when Seng Yao painted a dragon, someone with a look on his face would break the wall and fly away. From the end of "The Analysis of the Warriors", the scales and claws appeared. This is a new technique to focus on the highlights."

"Mr. Wu, I have a reluctant request here, and I dare to play chess with you."
Chapter completed!